The Ideal Angulation and Movement of a Lhasa Apso
Imagine the Lhasa Apso as the prima ballerina of the dog world, gracefully pirouetting through life with perfect poise and elegance. Here's how the ideal angulation and movement make this possible.
Angulation: The Perfect Dance Partner
Front Angulation: The Lhasa Apso's shoulder blade should be set at a cool 60 degrees relative to the ground. This is like having the perfect dance partner who knows all the right moves. The shoulder blade and upper arm should form a 100-degree angle, allowing for maximum reach and a smooth, graceful stride. When the Lhasa Apso extends its forelimb, the shoulder blade rotates an extra 10-15 degrees, thanks to some nifty muscle work in the neck and upper back. This setup gives the Lhasa Apso a stride that’s the envy of the dog park.
Rear Angulation: The rear angulation should be just as impressive. The hind legs need to be well-angulated, providing the power and drive needed to propel our furry dancer forward. This balanced angulation ensures that the Lhasa Apso moves with the grace of a seasoned ballerina, with no wasted motion or awkward steps.
Movement: The Effortless Glide
Front Movement: When the Lhasa Apso moves, it’s like watching a professional dancer glide across the stage. The forelimbs extend smoothly, with the shoulder blade rotating to provide maximum reach. There’s no hackney gait here – just a fluid, effortless motion that makes it look like the Lhasa Apso is floating on air.
Rear Movement: The rear legs provide the perfect counterbalance to the front, driving the body forward with power and precision. There’s no excessive kick-up or wasted motion – just a smooth, efficient stride that keeps the Lhasa Apso moving forward with ease.
Overall Movement: From the side, the Lhasa Apso appears to flow forward with long, smooth strides. The head is carried at a jaunty 45-degree angle, and there’s no excessive vertical movement in the front or rear. This is a dog built for high altitudes, where efficiency is key. Every step is a testament to the Lhasa Apso’s fitness for the rugged environment of Tibet.
The Not-So-Ideal Angulation
Front Angulation: Now, let’s talk about what happens when things go wrong. If the shoulder is laid back at an angle greater than 60 degrees, the whole forehand assembly looks like it’s trying to escape forward. This gives the illusion of a long neck and short back – but don’t be fooled! That “neck” includes a few extra vertebrae.
When this poorly angulated Lhasa Apso moves, it’s like watching a marionette – the head lowers, the muscles strain, and the shoulder blade struggles to rotate. If you try to string up this dog, you might get a hackney gait, with the front legs lifting high like a prancing pony. But beware, many dogs don’t appreciate this and will respond with gagging and pulling – not a pretty sight.
Rear Angulation: Even if the rear angulation is good, it’s wasted on a front end that can’t keep up. The rear legs end up kicking into the air, creating a lot of movement but not much forward progress. It’s like watching a doggy version of Riverdance – flashy but not very practical.
The Ideal Lhasa Apso: The Prima Ballerina
The ideal Lhasa Apso moves smoothly and effortlessly on a loose lead, with the head extended at a jaunty 45 degrees. There’s no excessive kick-up in the rear, and the movement is all about flowing forward with long, smooth strides. Remember, this is a dog built for high altitudes where oxygen is scarce – efficiency is key. The essence of the Apso is its fitness for the rugged environment of Tibet.